A journey in the Italian classroom to observe the changes and experiments that took place in Italian schools during the 20th century from a privileged point of view, that of teachers and children. From the lessons of Gianni Rodari to those of Loris Malaguzzi and the experiments in democratic and community education, from animated films and Super8 made by children. Class trips, snacks all together, carnivals: small great stories in which to recognize oneself.

A tour of the “Beautiful Country” in the images of the Italians who filmed its landscapes, cities and hamlets for posterity. Every single clip contains a micro-history and at the same time it becomes the single tile of a virtually infinite and to be freely assembled mosaic of stories. Happy surfing!

A look at Italian cities, filmed by their inhabitants, but also by visitors, between the 1920s and 1970s. The amazement of discovering them fragmented into multiple points of view on the streets, squares, gardens, markets, suburbs, canals, ports, stadiums, and of capturing the pulse of urban life in continuous transformation.

A tour of the “Beautiful Country” in the images of the Italians who filmed its landscapes, cities and hamlets for posterity. Every single clip contains a micro-history and at the same time it becomes the single tile of a virtually infinite and to be freely assembled mosaic of stories. Happy surfing!

A journey through time and space, from the Apennines to the River Po, from cities to plains to the sea. Every single clip contains a micro-story and at the same time it becomes the single tile of a virtually infinite and to be freely assembled mosaic of stories. Happy surfing!

Franco Cigarini (1924-1982) used different means of expressions, during his life, from still photography to the moving image, from poetry to sculpture. Hired as a photographer by the Reggio Emilia Municipality in 1965, Franco Cigarini soon coupled the photo-camera to a movie-camera, becoming the first “official cameraman” of the city for about two decades. Franco Cigarini’s audiovisual archive offers a remarkable contribution to the 20th Century visual memory, not only locally, and his works, as an independent filmmaker, witness his civil and political involvement.